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 TAI
CHI PAGES
Tai-Chi
Classics Explained - Part 1
Athos believes that true Tai-Chi must adhere to the words written by the
great masters of old. Some of these classics which must be strictly adhered
to if the tremendous health and warrior benefits are to be achieved are
revealed below.
As
soon as one moves, the entire body should be light and sensitive and all
its parts connected. Yang Lu-ch'an
When practicing the form do not use clumsy force and you will
be able to achieve lightness and sensitivity. the entire form should be
performed with one continuous flow of chi.
The
Chi should be roused and the spirit gathered within. Yang
Lu-ch'an
If the chi is not blocked it is like a sea wind which blows
up waves and billows. Still the mind and concentrate the spirit. This
is what is meant by gathering the spirit within.
Do
not allow gaps; do not allow bulges or hollows; do not allow discontinuities.
Yang Lu-ch'an
When doing the form seek perfectg wholeness. there should not
be the slightest irregularity. You should move slowly and without breaks.
The
root is in the feet, energy issues up through the legs, is controleld
by the waist and is expressed in the hand and fingers. From the feet to
the legs to the waist should be one complete flow of chi. One will then
be able to seize opportunities and occupy the superior position. Yang
Lu-ch'an
When practicing Tai-chi chuan, the upper and lower parts of
the body must be coordinated. Intrinsic power (chin) rises from teh soles
of the feet, travels up the legs and reaches the waist. Then from the
spine to the shoulders it travels into the hands and fingers. The whole
body is as one chi. When it is used to advance or retreat, the intrinsic
power is infinate.
If
one is unable to seize opportunities and gain the superior position, the
body will be scattered adn in confusion. Look for teh weakness in the
waist and the legs. The same is true for above and below, front and back,
left and right. All of this has to do with the mind and not with externals.
Yang Lu-ch'an
The weakness is not in externals but in the mental attitude.
If the mind is not focused, then the spirit will not be concentrated and
one will not be able to seize opportunities and gain the superior position.
If
there is an above, there must be a below; if tehre is a fore, there must
be a rear and if there is a left, there must be a right. If the intention
is to rise one must pay attention to below. If you wna tto lift something,
you must apply breaking power. In this way its root will be severed and
its destruction will be swift and inevitable. Yang
Lu-ch'an
This means that when sparring with an opponent you must first
shake him and cause him to be like a tree without roots. When his stance
is not stable he will surely be toppled.
Full
and Empty should be clearly distinguished. Any given point has the potential
for full or empty and the whole body has this dual aspect: full and empty.
Yang Lu-ch'an
When sparring with an opponent, every posture should be full
in front and empty behind. When issuing energy the front leg bears the
weight of the body and this is full, while the rear leg is straight. Always
clearly distinguish full and empty and you will naturally have the ability
to change at will.
All the joints
of the body should be connected without permitting the slightest break.
Yang Lu-ch'an
All the joints of the body should be pliant and unified. the
chi should flow unimpeded and there should be no breaks in consciousness.
By moving the chi
with the mind and directing it to sink, it is able to permeate the bones.
Wang Tsung-yueh
Normally during our practice of the Thirteen Postures we should
use the mind to cause the chi to circulate in the space between the bones
and the flesh. If the ind acts as a guide, the chi will flow. As for our
postures, they should be calm. Without a calm mind there can be no skinking
and without sinking the chi will not gather in the bones. One may indeed
possess external power, but by practicing Tai chi chuan the chi permeates
the bones and this is true Tai chi power.
Let chi circulate
throughout the body freely and the body will be obedient to the mind.
Wang Tsung-yueh
Friends, if you desire your chi to circulate freely throughout
yoru body, you must receive correct instructions in Thirteen Postures.
This is the art handed down by my late teacher. When executing the postures,
the upper and lower body must relate naturally. If power is not forced,
then and only then can the chi circulate freely. If the postures are natural,
then the mind commands and the hands and feet follow.
If one can raise
the spirit, there need be no fear of sluggishness or heaviness. This is
what is meant by holding the head as if suspended from above.
Wang Tsung-yueh
The spirit is the master of the whole body. Not only in the
martial arts but in all pursuits, if the spirit is swift, one will never
ben sluggish or slow. Therefore, in speaking of the martial arts one must
first mention raising the spirit. If we want to raise the spirit, then
the head must be held erect with energy at the very crown. That is, the
ni-wan point should be light and sensitive, with energy rising to the
top. If you can awaken to this technique, you will understand what is
meant by "raising the spirit".
Our feelings must
become supremely sensitive in order for there to be complete and lively
enjoyment. This is what is meant by the transformations of full and empty.
Wang Tsung-yueh
Feeling is that which circulates between the bones and the
flesh. There is an indescribable kind of pleasure that comes from practicing
the form and sparring. We must cause this circulating substance to fill
the entire body, so that if we want it to go left it goes left, and if
we want it to go right it goes right. This is waht is meant by the changes
of full and empty in Tai chi. The method of transforming the sense of
feeling is like a half full bottle of water. If placed on its left side,
the water rushes to the left, if placed on its right side, it rushes to
the right. If this can be achieved not only will you experience complete
and lively enjoyment, but it will be as pleasurable as dance. When you
have reached this stage, even if someone were trying to prevent you from
practicing this art, they could not succeed. From this we can appreciate
that the body receives infinite blessings.
When issuing energy
one must sink, relax, be calm and concentrated in one direction.
Wang Tsung-yueh
When sparring with an opponent, first control is movement and
then attack from one direction, the one in which he is losing his balance.
When issuing energy, whether with the hand, shoulder or elbow, you must
sink down, with the mind relaxed and calm. Issue energy by attacking the
opponent in only one direction. If my energy is not scattered it will
be easy to throw the opponent for a great distance.
Our posture should
be erect and relaxed, able to control the eight directions.
Wang Tsung-yueh
When the head is erect and teh wei-lu straight, the body will
not incline. Our mental attitude shoudl be relaxed and comfortable, with
the idea of waiting for movement with stillness. The waist and legs are
like a standing wheel and the shoulders and hands like a horizontal wheel.
When they are able to rotate in circles at our will, then we will have
control of the eight directions.
Directing the chi
is like threading a pearl with nine bends in the hole. There is nowhere
it does not penetrate.
Wang Tsung-yueh
The "nine-bends-pearl" is a pearl with a winding
path within it. If we compare the human body to a pearl, it can be seen
that the four limbs and hundred bones are full of bends. if we can direct
the chi into the limbs without any gaps, then the skill of threading the
nine-bends-pearl will be ours.
When energy is
set in motion it is liek a steel tempered a hundred times. What resistance
will it fail to defeat?
Wang Tsung-yueh
Energy set in motion "like steel tempered a hundred times"
is internal energy. It is not a skill acquired in one day. After days
and months, little by little, it is gradually refined liek a piece of
crude iron which is tempered every day with pounding. Slowly it is tranformed
into pure steel. If a broadsword or two-edged sword is made from such
steel, it will be incomparably sharp, and there is no "resistance
it cannot defeat." The energy which Tai-chi develops is both fine
and strong and can destroy even an iron man. Of what concern, then, are
opponents made of mere flesh and blood?
You should appear
like a falcon seizing a hare, with the spirit of a cat catching a rat.
Wang
Tsung-yueh
The falcon is an animal capable of flight, a bird of prey.
In the winter it is used for hunting. This passage means that in sparring
with an opponent we should imitate the appearance of a bird of prey. When
we spy our victim, our eyes should look as if we swould immobilize it
with our beak, and as soon as our hands make contact, we would control
it in our clutches, just like a falcon catching its prey. This comparison
is not meant to be abusive, but these are the words of my late teacher.
Perhaps some explanation is in order. I hope that my readers will not
be confused. When stalking rats, cats look just like tigers. They lie
in wait, crouching with the weight on their rear legs. The vital spirit
of their whole being is focused on the rat hole. When the rat emerges
they pounce ferociously and capture him. This describes the posture in
Tai-chi which involves sinking the chest and raising the back, just like
the cat stalking the rat. Wait for the chance, spring, and the opponent
will be yours.
In stillness be
like a great mountain; in movement likea mighty river. Wang
Tsung-yueh
After one has trained for a long time, the legs develop root
and one's stance is like a mountain. Human force cannot shake us. The
metaphor of the river expresses the infinite possibilities for transformation.
One technique becomes five and five become a hundred. The flow is unceasing
like a river.
Store energy like
drawing a bow; release it like shooting an arrow. Wang
Tsung-yueh
To store energy means to reserve it. Tai-chi energy is not
external but stored internally. when squaring off with an opponent our
internal energy has teh fullness of a drawn bow or a ball filled with
air. If the opponenet touches my arm, although it feels soft as cotton,
he cannot push it down. This greatly astonishes him. In the midst of his
perplexity he is unaware that my bow already has a drawn arrow which is
about to fly. At this moment I am l ike the bow, and my opponent becomes
like the arrow. The energy is released so fast that the opponent is thrown
with the speed of an arrow.
Seek the straight
in the curved; store first and then issue. Power issues from the back;
our steps must follow the body. To withdraw is to attack and to attack
is to withdraw. After withdrawing reconnect again. Wang
Tsung-yueh
Allow me to summarize these lines with a simple explanation.
"Seeking the straight in teh curved means that bending is followed
by extension. "Store first and then issue," "Power issues
from the back," and "To witdraw is to attack" are all based
on a single principle. That is, our spirit shoudl be like a cat stalking
a rat. Students should be able to grasp this with a word or two.
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