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BRIDGING THE GAP, by Peter Lewis
(Fighters, March 99)

ATHOS ANTONIADES, no stranger to readers of Fighters Magazine, presents for us here the Kenpo basics to fighting which he terms 'Bridging the Gap'. Kenpo in recent years seems to be going from strength and its popularity, as a martial discipline, seems to be on a rise. For Athos himself, since becoming an instructor some years ago, has seen success upon success and just recently has not only appeared in a movie but also acted as a fight choreographer and stunt arranger as well, but more about that later.

Athos takes up the story and comments: "Kenpo is an art of motion whereby thoroughly ingrained basics of motion inevitably become an instinctive part of our action or reaction. There are three main stages of learning, the first being the 'embryonic' stage which entails the pronunciation of movement, whereby the student learns to perform foot maneuvers, stances, block/strikes, parries and kicks.

"Then comes the 'mechanical' stage which is the definition of movement. At this stage the student learns to put the basics together into Kenpo self defense techniques, forms and sets, thus learning to move with greater efficiency.

The final stage which will hopefully 'Bridge the Gap' between basics and becoming a competent fighter is the 'Spontaneous' stage, whereby random application of motion blends with any given situation. This is the 'No Mind' stage. This stage is where the subconscious takes over making us masters of adaptability. Capable of adapting our action to whatever our attacker is attempting to do. The student will also be able to adjust or rearrange the order of their techniques as the attach progresses.

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Learn the alphabet

"The progression from basics to spontaneous fighting can be compared to the way in which children learn to write. First they learn the alphabet which they then use to form simple words. The words are then used to form sentences and format he sentences to form paragraphs.

Similarly, Kenpo uses an alphabet of motion. Children also learn that English uses two forms of writing, print and script. When printing they use lines and circles, but always stop one action before applying or starting another. In terms of Kenpo, this would be the equivalent to the embryonic stage discussed earlier.

"When using script lines and circles are used to link one letter with the next and round out corners. In Kenpo terms this will be the equivalent of a basic block followed immediately by a counter, thus making one action both offensive and defensive.

"When we have reached the spontaneous stage, there is no such thing as offensive and defensive, each move is both. Plus there is no such thing as passive action. i.e. blocking.

Everything is positive motion. The years of practice at the initial stages teach us mind and body coordination and further teach power and speed over short distances.

"We learn to strike vital targets without even looking or thinking about it. In fact if we slow down the foot and handwork in a real fight, we will notice that it is not dissimilar to the foot and handwork that we have been practicing over the years during the training in basics, forms, sets and techniques. It is the continuous practice at the initial stages which will eventually make us into spontaneous fighters.

"In practical terms we can aid you progression from the initial stages to the spontaneous stage by adapting basic techniques. Initially we can introduce the 'What If' scenario into the basic techniques. For instance what if, after our attackers first punch is blocked, will he follow through with: will it be a second punch or maybe a kick? We practice adapting our response to cater for the way the basic technique is altered. We then go one step further by grafting techniques. By blending different techniques or adapting them during the course of an attack. We learn to become masters of adaptability, capable of dealing with any situation."

Athos continues: "However, in order to become truly spontaneous, we need to have people coming at us in a totally unexpected manner. Constantly practicing techniques in a familiar controlled environment can easily lead to complacency and a sense of false security, which then takes us to our next drill, the 'semi-circle'. The student in this exercise stands at the center of a semi-circle and is attacked at random by those on the circle. The attack can take any form and must be realistic. The person at the centre of the attack has no choice but to act spontaneously in order to survive the onslaught. When the instructor is satisfied with the student's performance in their reactive response. It is then taken a step further and they are attacked by two people at once this then forces the attacked student to use their knowledge of Kenpo still further to deal with mass attacks.


Interesting

"It is a very interesting scenario, each student acts and reacts differently under this pressure. At this stage the natural weapons react almost completely instinctively independent of the mind as if they had a brain of their own. This feeling must, however, be overcome. Mental discipline is the key here, that is the ingredient that can help and aid such feelings. It is vital that the mind still acts as a safeguard in preventing an action that we may well regret..."

Athos has recently released a video entitled "Principles of American Kenpo", it is a training video that will become invaluable to students both at beginner level and advanced. The tape covers such things as power, speed, distance, peripheral vision, the 'No mind' state, and much much more. This is shortly to be followed up with a video with the same title as this article, 'Bridging the Gap'.

In the released video Principles of American Kenpo Athos has added at the end of the tape as a kind of bonus a short action movie entitled 'The Chase'. Recently Athos appeared in a movie by Red Moon Productions called 'Ashes to Ashes' in which he appeared as a gangster. He also choreographed many of the fight scenes in the movie using the techniques of Kenpo.

Athos feels that in his efforts to bring Kenpo to the forefront of marital arts world he is following in the footsteps of his American counterpart Jeff Speakman by taking Kenpo to the movies. 'The Chase' which is Athos' own production, is a kind of 'see what can be done' When you apply yourself and your art in a positive mode.

Readers can judge for themselves what they think. The video costs £24.95 + £2.00 pp and can be ordered from Athos via PO Box 25217 London M12 8ZA. Please make cheques payable to 'NKKA'. For further information Athos can be contacted on 0181 446 1172.

 

Cross of Destruction